How Where You Live Impacts Your Writing Practice

Photo by Valentin Antonucci: https://www.pexels.com/photo/person-tossing-globe-1275393/

Where we write shapes what we write. And often, how we write. The space we inhabit—its rhythms, energies, and surroundings—can either nourish or disrupt our creative flow. As writers, we don’t just work from our minds or hearts. We work from the ground beneath our feet, the sky above our heads, and everything in between.

Let’s explore how the place you call home weaves itself into your writing practice.

Geography Shapes Your Mood

Are you near a wild forest, a roaring ocean, a sprawling desert, or tucked into a city that never sleeps?

Your natural environment leaves fingerprints on your inner life. A misty morning in the Pacific Northwest might call up introspection and melancholy prose, while bright, dry light in the Southwest could ignite a crisp, clear voice. The ever-changing sky, the scent of the air, the texture of the landscape—these all become part of your writing palette.

Pay attention to how your surroundings influence the emotional tone of your work.

Rhythm of Life: Fast or Slow?

The pace of the world outside your door often becomes the pace of your days.

In rural settings, time may stretch. There’s quiet between tasks, longer pauses, more room to meander. In cities, there’s movement, urgency, sound. This doesn’t make one better than the other—some writers thrive on stillness, others on the energy of bustle and chaos. What matters is whether your environment aligns with the kind of writer you are, or want to be.

Does the tempo of your city or town support your natural creative rhythm—or push against it?

Your Writing Space as a Mirror

Whether you have a room of your own or a corner of the kitchen table, your physical space affects your focus and sense of self as a writer.

Clutter may drain you. Beauty may feed you. Even something as simple as lighting a candle or playing soft music can shift your inner atmosphere and make space for words to emerge.

Ask yourself: what’s one small change I could make to my space that would help me show up more fully to the page?

Community and Creative Energy

Does your city or town have a vibrant writing community—or are you building your practice in solitude?

Living near bookstores, workshops, or other writers can feed your sense of belonging and inspiration. But not everyone has access to that. If you’re in a more isolated place, you might need to create your own writing coven—whether through online communities, virtual writing groups, or long-distance writing dates.

Writers need each other. If your current location doesn’t offer that easily, you’re not alone—but you may need to be more intentional in seeking connection.

Land, Energy, and Spirit

This might be the most subtle—and powerful—aspect of place.

Some lands are rich with creative energy. Others resist it. The energetic imprint of a place—its history, ancestors, spirits, or even trauma—can either open or block creative flow.

If the land you live on doesn’t feel like it’s supporting your writing, consider ways to enter into relationship with it. Walk it. Listen to it. Leave offerings. Ask permission. Speak your intentions. Writing is an act of co-creation—with your inner self, and with the world around you.

Routine Is Shaped by Place

Where you live impacts how you structure your days. A long commute might drain your energy. Living near a park might give you access to restorative walks. Harsh winters might make you hibernate—and write more. Or less.

Notice how the structure of your days is shaped by your location—and how you might gently reshape it to create more time, space, or stillness for writing.

The Impact of Travel and Relocation

Sometimes, it’s only when we leave a place that we see its grip on us. Travel, even temporarily, can reset your writing voice. New air, new sounds, new textures—they can wake up a sleepy muse.

Likewise, moving to a new home space—whether eagerly or reluctantly—can bring a whole new energy to your writing life. It can disrupt your routines… but also invite you to rebuild them more intentionally.

Writing the Place You Live

Where you live might end up inside your stories, too. Your place can become a character—a living, breathing presence on the page.

Even if you’re not setting your story locally, the texture of your environment often seeps into your metaphors, your pacing, your dialogue.

Let yourself be influenced. Let yourself notice.

Longing for Elsewhere

Sometimes, the place you live isn’t your creative home.

That’s okay.

You can still write. You can still thrive. Writing becomes the bridge between where you are and where your spirit wants to be. You can conjure other worlds, craft alternate lives, or simply create a sacred writing space that feels like your truest home—even if it’s just a small desk in the corner of an apartment that doesn’t quite fit.

Writing allows you to live many lives. Use it.

Conjure a Writing Practice, Wherever You Are

Even if you can’t change your address, you can change your relationship to place.

Create rituals. Build an altar. Carry a notebook outside. Write in bed. Light incense. Find a favorite tree. Your writing practice can become an act of grounding, of claiming space, of weaving your soul into the land you’re on—even if it’s just for now.

Where you live matters. But it doesn’t have to define you. You can write with your place, through your place, or in spite of your place.

The key is to notice. To listen. And to shape your writing life intentionally, rooted in the real magic of where you are.

Want help tuning your writing practice to your current environment? Drop a comment or come join me in the Alchemy of Writing Membership Group—where we explore the craft, ritual, and rhythm of the writing life together.

Stop Waiting to Be Chosen. Traditional, Hybrid, or Indie Publishing? The Path I Chose and Why

One of the main reasons writers get discouraged or disillusioned about getting published is because they leave themselves at the mercy of other people. 

I’m here to tell you: you don’t have to.

Here, I take a bird’s eye view of a few publishing options available to us all, how they work, which one I chose and why.

Traditional Publishing

This is the realm of the Big 5: the five major publishing houses that dominate the industry. If you’re aiming for traditional publishing, the first thing you need is an agent. You pitch your manuscript, and if an agent is interested, they’ll request a portion of it—anywhere from 10 pages to 50, or sometimes the full first chapter.

If they like what they read, they’ll ask for the full manuscript. And if they still like it, they’ll offer you a contract. (Time to get excited… cautiously.)

That contract is where things get real. It’s wise to have a literary attorney look it over. You’ll want to know how royalties work, how long the publisher controls your book’s fate, and just how much ownership you’re signing over. Also, don’t say yes to the first agent who shows interest unless they feel like the right fit. This is a business relationship, but it should have a vibe puts you at ease. At least, in my opinion.

Once signed, your agent shops your manuscript to publishers. And then you wait. Sometimes a long time. Sometimes, forever. Some authors get multiple offers. Some get ghosted. It’s a gamble.

If a publisher says yes, great! But know this: they might change your title, and they choose your cover art. They decide how your book is marketed and distributed. And these days, authors are expected to do most of their own marketing. You may get an advance, but it probably won’t be huge, and royalties  often go toward paying that off first.

And one last note—if you’re writing non-fiction, you’ll need to submit a proposal, not a finished manuscript (at first). That proposal needs to excite the recipient and entice them to want to take the next steps. A proposal of this kind also must include a marketing plan and three sample chapters.

Small Presses

Still within the traditional realm, small presses offer a more personal touch. You pitch them directly, just like you would an agent. They’ll handle editing, printing, and marketing—but their reach can vary dramatically. Some are amazing. Some… not so much.

A friend of mine got accepted by a small press within half an hour of submitting her memoir. Sounds great, right? But then they skipped the editing process entirely. Yikes.

Do your homework. You probably won’t get an advance, but you might see better royalties and more input on cover art and title. Publishing timelines are usually similar to the Big 5—up to two years.

Hybrid Publishing

Hybrid publishing is exactly what it sounds like: a mix of traditional and indie. You pay upfront (usually $2K–$4K+), and in return, you get editing, design, printing, marketing support, and distribution guidance. You keep more control, but it comes at a cost.

Marketing help can be minimal, or not. The good news is that you won’t be doing any of this completely alone. Some hybrid publishers offer tiered packages so you can choose what support you want.

Self-Publishing vs. Independent Publishing

There’s a subtle but important difference here.

Self-publishing means you do everything yourself—editing, design, layout, printing, marketing. You can use platforms like IngramSpark or Amazon KDP to upload your manuscript, but be careful. A Word doc isn’t enough. Interior layout matters. Your book can end up looking amateurish if you’re not careful.

Independent publishing means you still control everything, but you build your own team—editors, designers, illustrators, etc. You’re the boss, but you’re not alone.

Ali, the founder of Indigo Editing here in Portland, explained this beautifully in a Q&A I attended. With independent publishing, the timeline is shorter—usually about one year—and your book gets the professional polish it deserves.

The Path I Chose

After three years of pitching Miranda’s Garden and receiving two yeses that ultimately didn’t pan out, I decided I was done waiting for someone else to give me permission to publish my book.

I chose independent publishing.

One of those yeses came from a hybrid publisher that wasn’t transparent about their model. They appeared to be a small press, and I didn’t know they were hybrid until I received the contract. They required a $4K investment, which is a reasonable ask, but not when you aren’t up front about it. Not a great way to start a relationship, so I said, “no thanks.”

The other yes was from an agent who loved my protagonist. But… I didn’t see her acceptance email until 10 months later. I was mortified. I reached out, but never heard back. After I regrouped, I chalked it up to Divine intervention and moved on, figuring there’s a better path for me.

This past December, I committed to publishing independently. After that Q&A with Ali at Indigo, I booked a one-on-one with her. She walked me through the process, gave me quotes, which was a big help to get me started with budgeting and planning.

Is it cheap? No. But it’s doable.

And the best part? I get to choose my title. I get to commission original cover art. I’ve already started planning public readings, a crowdfunding campaign, and a book tour. I may not be wealthy (yet), but I believe the right support—and the money—will show up. I have faith.

Miranda’s Garden will be out in the world within a year. And that feels damn good.


Resources

Jane Friedman’s Annual Publishing Path Resource (PDF) – She’s a publishing wizard and offers incredible insight on all publishing paths.

The Business of Being a Writer by Jane Friedman – Highly recommend.

Indigo Editing, Publishing, and More – Based in Portland but available to work with you no matter where you are.

Stay tuned for more updates as I move forward on my path to published.

Watch the YouTube Video.
Follow me on YouTube.

And as always, sending you mad writing mojo…

Happy writing!

Johnnie

Writing Through the Storm: Maintaining a Writing Practice with Chronic Illness

Photo by Marcus Aurelius

Maintaining a satisfying writing practice requires focus, energy, and consistency—qualities that chronic illness often disrupts. But, with the right strategies and perspectives, it’s possible to honor your impulse to write while tending to your body’s needs.

I can speak to this from personal experience because I live with Mast Cell Activation Syndrome (MCAS), so I’m no stranger to the potential tough days that hover on the periphery of my life, my writing practice, and my business every single day, like a bully waiting to have a go at my weak spots. 

While I can’t say that I’ve found a magic solution—at least not yet—here are some strategies and perspectives to help you navigate the unpredictable nature of chronic illness while still honoring your writing practice.

1. Redefine Productivity

Having a chronic illness will force you to adjust your expectations—about your own abilities, about other people’s expectations of you, and about what “productive” looks like for you. Writing every day for hours—or every day, period—may not be realistic, and that’s okay. Instead, focus on what you can do. Whether it’s writing for 5-15 minutes each day, writing for a couple of hours one day each week, or simply jotting down ideas when they come to you, every effort counts. Remember, progress doesn’t have to be linear.

2. Create a Flexible Routine

Rigid schedules often don’t work well when dealing with the symptoms or flare-ups of chronic illness. Instead, build a flexible routine. Leave more open space in your calendar to allow for those “surprises.” Slow down the pace of your life, in general. Identify the times of day when you feel most energetic and aim to write during those windows. On tougher days, give yourself permission to shift to less demanding creative tasks, like brainstorming, researching, or reading for inspiration. And rest. Sometimes it’s best to simply rest.

3. Set Tiny, Achievable Goals

When you’re managing limited energy and avoiding triggers, big goals can feel overwhelming. And not meeting them can be demoralizing. Best approach: Put that big goal on your calendar, way out into the future. Then, break it down into small, manageable steps, and put those on your calendar, too. For example, set smaller breadcrumb goals, like 100 words, one scene or outline, or one dialogue exchange. Reaching and acknowledging those smaller goals that rest within the larger ones will send dopamine cascading through your lovely brain, which will provide you the motivation to keep going.

4. Manage Your Environment

For people with chronic illness, environmental triggers like certain foods, fragrances, or temperature changes can impact health and energy levels. Create a writing space that minimizes these risks. If you need to, get an air purifier, use hypoallergenic materials, and a stash of safe, healthy, non-reactive snacks and drinks to keep your energy up while writing. Do this, at the very least, in your writing space, and preferably throughout your entire home. If you live with other people, ask for what you need from them. 

5. Use Tools and Technology

Assistive tools can make writing more accessible. If you’re having a low day but feel you have the energy and wherewithal to accomplish small tasks, speak your thoughts and words instead of typing or writing by hand. Writing apps like Scrivener or Evernote can help you organize ideas efficiently, or use the Voice Memos on your phone to get random thoughts and ideas about a scene, chapter, or character in one place so you can refer to them later. If brain fog is a challenge, try using templates or prompts to find your way in. Writing can look many ways.

6. Embrace the Power of Rest

Rest isn’t just a break from writing; it’s an important and essential part of the creative process. (That’s why I offer the Do Nothing Challenge!) Pushing through exhaustion often leads to burnout or worsening symptoms. Instead, listen to your body and give it the care it needs. Resting mindfully, daydreaming, soaking in an epsom salts bath, or applying ice packs can get you through rough spots to rejuvenate your energy and spark new ideas. Resting is an aspect of your writing life.

7. Build a Support System

If you don’t know other writers who understand the challenges of chronic illness (and bonus if you do!), look for groups that specialize in connecting people with chronic illness for encouragement and empathy. Sharing your experiences with others can make life feel a lot less isolating and lonely. You might be surprised how many writers you can find who also live with chronic illness—both are highly sensitive.

8. Work with Your Medical Team

If you’re managing a chronic illness and you have a solid medical team, they can be a big help by offering guidance on managing energy levels, avoiding flares, and maintaining concentration. Sometimes, adjustments to treatment plans can improve your ability to focus on creative work. Interestingly, a fair amount of doctors write fiction on the side, so if you have one or can find one, they’ll understand why your writing matters to you.

9. Practice Self-Compassion

It’s easy to feel frustrated when illness interrupts your writing, and during those times when you’re struggling to find you way back, guilt can set in. Remember that you’re doing the best you can under challenging circumstances. Be kind to yourself, and acknowledge the resilience it takes to keep creating despite the hurdles. Honoring your impulse to write is an act of self-love. So is showing yourself compassion and grace.

10. Celebrate Every Accomplishment

No matter how small, every word written is a reason to celebrate. Whether it’s finishing a paragraph, re-reading what you wrote last, or simply making a note about where you’ll pick up when you’re feeling better, tracking your efforts will keep you involved. Maintain a notebook or digital file to log your accomplishments, or as mentioned in #3 above, schedule them on a calendar. Then, treat yourself to something nice and/or fun, depending on the accomplishment and your budget, of course. You’ll get a double hit of dopamine—from finishing the task, followed by the enjoyment of your reward. Over time, these wins will remind you of your strength and progress, and each one will propel you on to the next.

Final Thoughts

Living with a chronic illness doesn’t mean you have to give up on your writing dreams. It means finding new ways to approach them, and being kind to yourself in the process. By adapting your practice to fit your health and working within your unique limitations, you can keep your creative spirit alive and thriving. Remember, your unique perspective as someone who navigates these challenges brings depth and authenticity to your writing. And that’s what the world needs.

Keep writing, even if it’s one word at a time. Because as Margaret Atwood once said, “A word after a word after a word is power.” 

You are a writer, no matter the pace.

Sending you mad writing mojo…

Happy writing!

Plotting and Pinching for NaNoWriMo

Photo by Patrick Tomasso on Unsplash

Are you a plotter or a pantser? I’m the latter. Without a doubt. In fact, I vehemently resist plotting. My intuition guides me through my story. I know who my characters are, I know what they want, and I know where they will be at the end.

I’m happy to sit down and pour out the connecting scenes that bubble up from my unconscious and get them on the page. I don’t suffer from writer’s block.

BUT… and this is a big one… there’s a lot to be said for creating a timeline/outline that serves as a road map for the creation of a novel. Otherwise, you’ll find yourself with a bunch of scenes only to realize you’ve left the protagonist’s deepest desire in the dust or the connections aren’t being made or the pacing is out of whack or…

This week, in preparation for NaNoWriMo, I’ve been working on my in-progress novel, Miranda’s Garden, which is about one-third of the way “finished.” I’ve created a time/outline in various forms.

  • A long-form textual portrait-oriented document that breaks down my acts and everything I’ve completed so far so I can fill in what’s to come – So. Much. Detail.
  • A more abridged version of that long-form document wherein I distill the key plot points and pinch points of the story, with each one highlighted for easy identification, and also includes the percentage of the story that should be told at each juncture, along with anticipated page numbers, based on a 250-word novel and a 300-word novel.
  • Index cards on the floor that condense and distill even more.
  • A highly distilled landscape-oriented version of the above. (See image below.)

If you want to get the most out of NaNoWriMo, I highly recommend creating one of these, even if you’re a pantser like me. Even if you highly resist doing so—like a cat being put into a tub of water—like me.

Creating this timeline/outline for yourself won’t rob you of your pantsing opportunities. There will be plenty of room for that within the framework you create. And I have to admit, seeing it all boiled down in front of me makes it all feel a whole lot more doable.

Best of luck to you in your novel writing adventures in November. I’d love to hear how the diagram helps and what your experience was like when December 1 rolls around.

Sending you mad writing mojo…

Happy writing!

Johnnie
XO