Fill-in-the-Blank Flash Fiction Friday – June 29

Here’s your Fill-in-the-Blank Flash Fiction Friday* opening sentence.


___________________ sat on the bridge, a stalled string of cars stretching out in front of her/him and the needle on the gas gauge slanting well across the the top of the ‘E’.


The “Rules”

  • Fill in the blanks.
  • Finish the story in 1,000 words.
  • Post your story in the comments section below by the next Friday.

I’ll post the winner** on my social media sites AND

you could wind up in the Fill-in-the-Blank Flash Fiction Friday book
I just might maybe publish at the end of the year

Sending you mad writing mojo….

Johnnie
XXXX


*Writing is serious business, but sometimes it’s fun to have fun.

**Selection of the winner is arbitrary and depends on my mood, what I’ve eaten or haven’t eaten, how much sleep I’ve had, and my constantly shifting tastes…

Fill-in-the-Blank Flash Fiction Friday – June 15

Here’s your Fill-in-the-Blank Flash Fiction Friday* opening sentence.


__________________ removed the crisp bills from her/his wallet while the cashier put the _______________ in a bag, unaware that this was just the beginning of ________________.


The “Rules”

  • Fill in the blanks.
  • Finish the story in 1,000 words.
  • Post your story in the comments section below by the next Friday.

I’ll post the winner** on my social media sites AND

you could wind up in the Fill-in-the-Blank Flash Fiction Friday book
I just might maybe publish at the end of the year

Sending you mad writing mojo….

Johnnie
XXXX


*Writing is serious business, but sometimes it’s fun to have fun.

**Selection of the winner is arbitrary and depends on my mood, what I’ve eaten or haven’t eaten, how much sleep I’ve had, and my constantly shifting tastes…

Photo by Vladislav Reshetnyak from Pexels

 

Five Non-Negotiable Must-Dos to Maintain the Health of Your Writerly Body and Soul

Whether we want to admit it or not, we writers are sensitive souls. We write because we notice more than others, which means that, through all the observing and processing, our systems are bombarded, infiltrated, and taxed to the point of exhaustion on a regular basis.

We must take regular reprieves and preventative measures to keep our vessels in good working order. And while some – if not all of – the items in the list below may seem obvious, it’s easy for us to forget. As a reminder, here are five essential, absolutely non-negotiable must-dos to maintain the health of your ever-sensitive writerly body, mind and soul.

1) Get enough sleep. See? I said they may seem obvious, but how many times do you stay up late to gulp in just one or two more episodes of your recent TV series binge? (Okay, maybe I’m talking more to myself than to all of you.) More and more, scientists and the medical community are speaking to the fact that we need a certain amount of sleep for our health, on all levels. When we sleep, we not only rest and replenish, but we also tune into our subconscious, which is crucial for us writers. And if you’re someone who remembers your dreams, there’s so much great fodder there for your next excellent story.

2) Drink plenty of water. Again, maybe obvious, but how many times do you realize that the day is nearly over and you’ve only had one or two glasses of water – if even that? The adult body is believed to be about 60% water. If we don’t maintain that level of liquidity, horrible things can begin to happen. Not only does our skin and mouth dry up, we can get dizzy or lightheaded, tired, and develop headaches. Who wants to – or can – write when they’re lightheaded, tired, and nursing a headache? More severe symptoms of dehydration include confusion, rapid heart rate, fever, and even seizure or shock. 

Imagine the cells of your body and your brain tissues plump and elastic, fully hydrated and ready to serve the wealth of stories that live in my imagination every time you imbibe a glass of clear, refreshing water. If you work at home, keep a glass out in plain sight in a location you walk past several times a day as a reminder. If your budget can tolerate it and your taste buds like it, quaff some electrolyte-loaded coconut water on the daily to keep your system happy, supple, and ready to churn out all those words shoring up inside you.

3) Walk outside. Kill two birds with one stone. After hours at the keyboard or at your desk, hunched over pen and paper, give your body a break and go for a walk outside. Not only will you keep your muscles from experiencing ennui, you’ll get some sunlight on your eyes – always good for your mood, and you’ll get next to nature – always good to keep us grounded and tuned into the earth’s natural rhythms, which will help the writing flow.

4) Eat healthy brain food. And again… this may seem like a no-brainer, but sometimes, we writers can get on a roll and forget about eating. Of course, doing this once in a while, when we’re deep in flow and lost in our story world, isn’t going to do much harm. In fact, it can be a good thing, in terms of clearing us out to make room for more creative solutions to our story problems.

But regularly foregoing food – especially, healthy brain food – can have lasting effects that can harm our physical health, including our brains, and, in turn, our ability to create. Here’s a good list of The Top 50 Best Foods for Your Brain. If you’re like me and have a lot of food sensitivities, there are plenty of other foods you can substitute that are equally good for your brain.

For me, here’s a typical brain food-rich day:

Breakfast – Hot buckwheat cereal with chia seeds and blueberries

Lunch – Salad made with romaine lettuce, celery, chopped carrots, and sweet corn, topped with virgin, cold-pressed olive oil, apple cider vinegar, Himalayan sea salt, and fresh herbs, like parsley, cilantro, and basil

Dinner – Baked sweet potato with grass-fed butter, Himalayan sea salt, and pepper OR sliced baked parsnips, zucchini, and multi-colored carrots tossed with fresh pesto OR beets baked and drizzled with melted coconut oil or nestled atop a pile of romaine along with dollops of herbed goat cheese, topped with cold-pressed, virgin olive oil and apple cider vinegar.

Plenty of water throughout the day with a 17-oz can of coconut water keeps me hydrated and happy, and snacks include blueberries, dates, Brazil nuts, and pumpkin seeds. And in the evening, some dark chocolate and wine are a luxurious treat at the end of the day.

5) Meditate. It’s SO good for us. It gives us a breather from all the rampant thoughts that bounce around inside our brains day after day. It slows our heart rate. And it expands time. As the old Zen proverb says, “You should sit in meditation for twenty minutes every day – unless you’re too busy. Then you should sit for an hour.”I start my days with meditation, and it always leaves me feeling that I can take on the day with MORE time to spare. On the days I scrimp, I can tell.

For writers, it’s a great way to quiet our minds and give our characters the space to talk to us. They’re ready and waiting, and when we give them the room, they’ll always tell us what’s next, whether we like it or not.

I’d love to hear what you do to keep your vessel – your writing machine – your physical body, mind, and spirit – in prime working order so you can honor your call to write and tell stories.

Leave a comment below and let me know!

Sending you mad writing mojo…

Johnnie
XXXXX

The Surprising Secret to Creating Believable, Engaging Characters Your Readers Will Never Forget

We all know a good story when we read, watch, or hear one. But do you have a clear idea of what makes one story better than another? We could likely create a long list: vivid descriptions, compelling conflict, evocative emotional landscape, intriguing storylines, and much, much more. And while all of these are necessary for a good story, what’s the one thing that if it were missing there would be no story?

Character.

Many people are moved to write stories because they seek to make meaning of this crazy, beautifully confounding thing called life. And they’re compelled to explore the human condition, which means delving deep into the kaleidoscope of human motivation and behavior. This is why creating believable, engaging characters that your readers will never forget is essential. It’s also an art.

Constructing an interesting storyline that satisfies your readers’ need to know the answer to “what happened next?” is important, but when all is said and done, if your readers go away wondering “why?” did that character do that thing, they’ll go away frustrated and unsatisfied.

We want to understand why we do the things we do, and we look to characters for those answers. There’s a way to get to the core of that inquiry. We can study the ancient chakra system, which will help us begin to drill down inside a character’s core to unravel all her hidden desires and fears. This will better inform our creation of her, and it will help our readers embrace her as a flawed, yet lovable, character that they become emotionally invested in.

Stay tuned for more about how we can use this ancient, esoteric system as a practical application to writing deep, profound characters that come off the page and stay with our readers long after they’ve put our work down.

To get you moving in that direction, call a character to mind. Maybe it’s one from an in-progress short story, novel, or creative non-fiction piece. Or maybe you want to make one up for this exercise. (Think simply if you’re creating one: gender, age, physical appearance.)

Put your character on a plane or a train (or some other mode of transportation) en route to visit family for the holidays, and answer this question: What tacit agreement does this character have with her/his family?

Now write at least two pages about what unfolds as the character approaches, or arrives, at her/his destination.

Then either share your piece of writing or let us know what that process was like in the comments below.

Sending you mad writing mojo…

How understanding the Third Eye Chakra can help your writing

So far, we’ve looked at how understanding the Root, Sacral, Power, Heart and Throat chakras can help with our writing. This week, we’re looking at the Third Eye Chakra.

The Third Eye Chakra is about our intuition and being able to express our higher nature, so ultimately, it’s about understanding our purpose in life and pursuing it.

image credit: thirdeyeindigo.wordpress.com

image credit: thirdeyeindigo.wordpress.com

As with previous weeks, we first have to begin with a framework of some kind, and as I’ve mentioned before, I find it’s usually easiest to begin with gender and age.

This week, let’s work with a 58-year-old male. We can begin to think about what this chakra governs and what this character might have missed in that developmental stage.

From a generative stance, then, if we draw on one of the primary fears or negative manifestations of this chakra, we can begin to create a foundation for a story. Let’s use the inability to make sound judgments based on the reality of a situation. Let’s imagine that, in this case, it comes in the form of the following scenario: This character has lived in the same town all his life and plateaued at his career years ago. He’s allowed himself to stay stuck due to a fear of leaving because he’s never been able to make the decision to go. Now, he’s been offered a stellar job in another state, but he’s terrified of taking it. The reason: he has a domineering mother who guilt trips him every time he thinks of doing anything that could further his career path. She’s a paraplegic and never misses an opportunity to remind him of this. (He doesn’t fully see how she manipulates him, though. He has taken on the belief that it’s his duty to be near his mother.) From this, then, we can see that he has not developed a healthy sense of self or purpose in life. If he had, he would have moved on years before. Instead, he has let himself be manipulated by guilt. We could begin this with a conversation between him and his mother wherein he’s attempting to break the news to her. What will transpire? Will he finally make his break, or will the story end up with him making the decision to stay put?

From a corrective standpoint, if we’re already working with a 58-year-old male who is having issues with his guilt-tripping mother, we can begin to ask ourselves questions.

  1.  How intuitive is this character?
  2.  How imaginative is he?
  3.  Does he think “outside the box” or is his idea of reality based on what he sees directly in front of him?
  4.  Would you describe him as wise or fearless? If so, how?
  5.  Would you describe him as practical? If so, how?
  6.  How able is he to make decisions?

Where does this take you?